Clarissa Tossin, Ch’u Mayaa, 2017, production still. Choreography/Performer: Crystal Sepúlveda; Cinematography: Jeremy Glaholt. Originally commissioned and produced by the City of Los Angeles Department of Cultural Affairs for the exhibition "Condemned to be Modern" as part of Getty’s "Pacific Standard Time:LA/LA." Courtesy the artista
Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art Pacha, Llaqta, Wasichay: Espacio Indígena, Arquitectura Moderna, Arte Nuevo
Jul 13–Sep 30, 2018 Whitney Museum of American Art New York, USA
william cordova (b. 1971), untitled, 2016. Peruvian cacao on paper, 11 1/8 × 9 1/8 in. (28.3 × 23.2 cm). Collection of the artist; courtesy Sikkema Jenkins & Co., New York
william cordova (b. 1971), untitled, 2016. Peruvian cacao on paper, 31 1/4 × 25 1/8 in. (79.4 × 63.8 cm). Collection of the artist; courtesy Sikkema Jenkins & Co., New York
william cordova (b. 1971), untitled, 2016. Peruvian cacao on paper, 11 1/8 × 9 1/8 in. (28.3 × 23.2 cm). Collection of the artist; courtesy Sikkema Jenkins & Co., New York
Watch a time-lapse of the installation of william cordova's artwork huaca (sacred geometries) for the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art.
Livia Corona Benjamin (b. 1975), Mazatlpilli, 2018. Pigment inkjet print with turquoise, jade, coral, onyx, obsidian, tiger’s eye, and animal bone, 40 × 30 in. Collection of the artist. Image courtesy the artista
Livia Corona Benjamin (b. 1975), Infinite Rewrite LII, 2016. Analog photogram on chromogenic paper with aluminum mount on stacked acrylic base, 10 7/16 × 8 3/8 × 1 7/16 in. (26.5 × 21.3 × 3.6 cm). Collection of the artist. Image courtesy the artista
Jorge González, dyed cotton stools seen in the exhibition 359 dias en 19 meses (359 days in 19 months) at Embajada, Puerto Rico. Image courtesy of Embajada, Puerto Rico
Guadalupe Maravilla (b. 1976), Requiem for my border crossing and my undocumented father's #3, 2016–18. Inkjet print with graphite pencil and ink, 20 × 30 in. (50.8 × 76.2 cm). Collection of the artist
Guadalupe Maravilla (b. 1976), Requiem for my border crossing (Collaborative drawing between the undocumented) #11, 2018. Inkjet print with graphite pencil and ink, 30 × 60 in. (76.2 × 152.4 cm). Collection of the artista
Guadalupe Maravilla (b. 1976), Requiem for my border crossing (Collaborative drawing between the undocumented) #9, 2018. Inkjet print with graphite pencil and ink, 20 × 30 in. (50.8 × 76.2 cm). Collection of the artista
Claudia Peña Salinas (b. 1975), Cueyatl, 2017. Brass, dyed cotton, and concrete frog, 24 1/2 × 24 × 61 in. (62.2 × 61 × 154.9 cm). Collection of Laura Guerra and Ignacio López
Claudia Peña Salinas (b. 1975), Cuecan, 2017. Brass, dyed cotton, and stone, 24 × 124 in. (61 × 315 cm). Collection of the artist
Claudia Peña Salinas (b. 1975), Tlaloc MNA, 2018. Found image printed on metal, 50 x 72 x 1 in. (127 x 182.9 x 2.5 cm). Collection of the artista
Claudia Peña Salinas (b. 1975), Chalchiuhtlicue MNA, 2018. Found image adhered to metal, 50 × 72 × 1 in. (127 × 182.9 × 2.5 cm). Collection of the artista
Ronny Quevedo (b. 1981), Errant Globe, 2015. Soccer-ball bladder and globe stand, 11 3/4 x 8 1/4 x 7 1/2 in. (29.8 x 21 x 19.1 cm). Collection of the artist. Photograph by Argenis Apolinario
Ronny Quevedo (b. 1981), quipu, 2017. Screen print, printed adhesive vinyl, and enamel on paper, 44 × 38 in. (111.8 × 96.5 cm). Collection of the artist. Photograph by Argenis Apolinario
Ronny Quevedo (b. 1981), every measure of zero (periphery), 2017. Gold leaf on dressmaker's tracing paper, 9 3/4 x 13 in. (24.8 x 33 cm). Whitney Museum of American Art; purchase, with funds from Ann Ames in memory of Steven Ames. Photograph by Argenis Apolinario
Ronny Quevedo (b. 1981), ULAMA-ULE-ALLEY OOP, 2017. Enamel, silver leaf, vinyl, and graphite pencil on mylar, 42 × 84 in. (106.7 × 213.4 cm). Collection of the artist. Photograph by Argenis Apolinario
Clarissa Tossin (b. 1973), still from Ch’u Mayaa, 2017. Video, color, sound, 17:57 min. Originally commissioned and produced by the City of Los Angeles Department of Cultural Affairs for the exhibition Condemned to Be Modern at the Los Angeles Municipal Art Gallery as part of the Getty’s Pacific Standard Time: LA/LA initiative. Choreographer/performer: Crystal Sepúlveda, cinematographer: Jeremy Glaholt. Image courtesy the artist
Clarissa Tossin (b. 1973), A cycle of time we don't understand (reversed, invented, and rearranged), 2017. Silicone, walnut, faux terracotta (dyed plaster), dimensions variable. Collection of the artist; courtesy Commonwealth and Council, Los Angeles
Clarissa Tossin (b. 1973), A two-headed serpent held in the arms of human beings, or, Ticket Window, 2017. Silicone, walnut, faux terracotta (dyed plaster), 46 × 43 1/2 × 5in. (116.8 × 110.5 × 12.7 cm). Collection of the artist; Courtesy of Commonwealth and Council, Los Angeles
Kuba-Kutxa Fondazioa (San Sebastián)での展覧会（22 April – 3 July 2016）カタログ GONZALO CHILLIDA Jose Angel Irigaray, Mikel Lertxundi, Horacio Fernández, Alicia Chillida y Benito Macias Idiomas: euskara, castellano, inglés y francés Páginas: 224 Kutxa, 2016 30 € 表紙の作品：《Marina》1978（Colección Familia Chillida Ameztoy）
José Ruiz y Blasco, #Picasso’s father, was also an artist: he was specialized in still lifes and birds, and taught painting in several academies around Spain. #twitartpic.twitter.com/gBMA5T8FGg
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